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  • Whom have I in heaven but you?

    A worthwhile and hefty sing in spots with some involved rhythmic nuances that will require careful and musical management.

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    A worthwhile and hefty sing in spots with some involved rhythmic nuances that will require careful and musical management.
  • What is this Lovely Fragrance?

    This arrangement of the beautiful 17th C. French carol attempts to capture the transparency of its whimsical text.

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    This arrangement of the beautiful 17th C. French carol attempts to capture the transparency of its whimsical text.
  • We are Blessed

    Set in modern choral anthem style, this song uses unison, two-part and four-part writing for a quick teach with few obstructions for the singers or accompaniment.

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    Set in modern choral anthem style, this song uses unison, two-part and four-part writing for a quick teach with few obstructions for the singers or accompaniment.
  • They call it Canada Piano & Vocal

    Designed initially to be sung by youthful and changed voices (aged 10-14), this […]

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  • They call it Canada Instrumental Backing Package

    The 48-page full score download for this work includes the piano-vocal score in […]

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  • They call it Canada FULL SCORE

    Commissioned by Claude Watson School for the Arts (Grades 4-8) in Ontario in honour of Canada’s Sesquicentennial birthday as a nation, July 1, 2017. This work began with a poetry contest with the children of Claude Watson. The poems, limericks, Haiku and free-verse were vetted by the staff and then submitted to Len for gleaning and fashioning into a song to be sung as a finale for their annual Reflections Concert.

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    Commissioned by Claude Watson School for the Arts (Grades 4-8) in Ontario in honour of Canada’s Sesquicentennial birthday as a nation, July 1, 2017. This work began with a poetry contest with the children of Claude Watson. The poems, limericks, Haiku and free-verse were vetted by the staff and then submitted to Len for gleaning and fashioning into a song to be sung as a finale for their annual Reflections Concert.
  • Then the Light!

    The biblical theme of ‘light’ is explored in this energetic gospel anthem. Once the word rhythms of the text are conquered it all falls into place beautifully.

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    The biblical theme of ‘light’ is explored in this energetic gospel anthem. Once the word rhythms of the text are conquered it all falls into place beautifully.
  • The Sussex Carol (Vocal Solo + SATB Backing + Piano)

    This lovely tune was collected in Sussex, England and catalogued by R. Vaughan Williams in 1904.

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    This lovely tune was collected in Sussex, England and catalogued by R. Vaughan Williams in 1904.
  • The Shepherd’s Psalm (Accompaniment Track) (Piano & Strings)

    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.

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    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.
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    The Shepherd’s Psalm (Accompaniment Track)

    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.

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    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.
  • The Shepherd’s Psalm

    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.

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    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.
  • The Holly & the Ivy

    The charm of this favourite carol from the English tradition is kept in view despite a unique treatment. In this arrangement the voice line is set in contrast to a rhythmic ostinato in the piano.

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    The charm of this favourite carol from the English tradition is kept in view despite a unique treatment. In this arrangement the voice line is set in contrast to a rhythmic ostinato in the piano.
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