Vocal

  • One Cold Night

    The surprising events of one cold night on a Bethlehem hillside are told with merry abandonment in this rollicking parody of the angelic visitation.

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  • Let it be Written SSA

    A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies.  The song is through-composed with a recurring chorus which binds the whole together.

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  • Always Good News

    Very '€˜Gospel'€™ in style and text. The song moves forward making use of repetition and sequence to extend the form, so its basic shape is easy to grasp for the singers.

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  • Not Ashamed

    This funky gospel song is a winner for young voices and is easy to teach. Based on familiar scripture, it has a lively beat and catches on easily.

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  • Healing Waters (SAA)

    Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present.

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  • Sweet Little Jesus Boy

    In this arrangement of the lovely Christmas-themed Sweet Little Jesus Boy, the music has been set in a slow swing style that is both moody and evocative.

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  • Silent Night (Mid voice Solo + piano)

    Like a delicate Christmas ornament slowly turning on its thread, this arrangement is evocative of all that is nostalgic about the season.

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  • It’s me, O Lord! (Low Voice Solo with SATB & Piano)

    A favourite Spiritual dressed for a sassy moment in your choral concert. The […]

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  • Greensleeves

    This arrangement uses rich jazz-oriented chording to create a warm, moody feel for that extra special moment in your Christmas program.

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  • What is this Lovely Fragrance?

    This arrangement of the beautiful 17th C. French carol attempts to capture the transparency of its whimsical text.

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  • Swing Low

    This popular arrangement makes use of unison lines and contrasting part writing to create an uncomplicated sound-world for these wistful lyrics.

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  • Night of the God-Child

    It takes, as its premise, the story of Mary’s encounter with the angel who announced that she had been chosen to mother the God-Child.

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  • The Shepherd’s Psalm

    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.

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  • Gently, gently

    An effective and compelling new carol for a cappella voices after the style of Samuel Barber.

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  • They call it Canada FULL SCORE

    Commissioned by Claude Watson School for the Arts (Grades 4-8) in Ontario in honour of Canada’s Sesquicentennial birthday as a nation, July 1, 2017. This work began with a poetry contest with the children of Claude Watson. The poems, limericks, Haiku and free-verse were vetted by the staff and then submitted to Len for gleaning and fashioning into a song to be sung as a finale for their annual Reflections Concert.

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  • They call it Canada Piano & Vocal

    Designed initially to be sung by youthful and changed voices (aged 10-14), this […]

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  • The Holly & the Ivy

    The charm of this favourite carol from the English tradition is kept in view despite a unique treatment. In this arrangement the voice line is set in contrast to a rhythmic ostinato in the piano.

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  • Prayin’ For You

    Part country and part gospel, this story-tellin’ song uses vignettes from St. Paul’s story to build a context around personal prayer directed on behalf of others.

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  • O Canada

    A slightly beefed up final cadence makes this perfect for open-air venues or sports events where the last moments of ‘the anthem’ are often lost or drowned by an exuberant crowd of spectators.

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  • Night of the Magi

    The story of the Magi following the star from distant lands to Jerusalem and ultimately the Jesus child. Then the fun begins…

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  • Rhapsody on a theme

    Definitely theatrical, almost Broadway in feel, requiring the vocalist to change character at a moment’s notice. An unusual approach, but offers high impact if the occasion warrants.

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