Vocal

They call it Canada FULL SCORE

Commissioned by Claude Watson School for the Arts (Grades 4-8) in Ontario in honour of Canada’s Sesquicentennial birthday as a nation, July 1, 2017. This work began with a poetry contest with the children of Claude Watson. The poems, limericks, Haiku and free-verse were vetted by the staff and then submitted to Len for gleaning and fashioning into a song to be sung as a finale for their annual Reflections Concert.
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Greensleeves

This arrangement uses rich jazz-oriented chording to create a warm, moody feel for that extra special moment in your Christmas program.
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Silent Night (Mid voice Solo + piano)

Like a delicate Christmas ornament slowly turning on its thread, this arrangement is evocative of all that is nostalgic about the season.
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His Eye is on the Sparrow (Vocal Solo)

This arrangement is perfect for singers who enjoy their low range, with a top belting note of C on the staff.
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Rhapsody on a theme

Definitely theatrical, almost Broadway in feel, requiring the vocalist to change character at a moment’s notice. An unusual approach, but offers high impact if the occasion warrants.
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In the Beginning

The cosmic theme of Genesis One is given a substantive treatment and evocative context in this major work for choir and ensemble.
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Night of the Angel

The story of the shepherds encountering the angelic hosts on the hillsides of Bethlehem. Imagine the silence of the night being shattered by a 6-part vocal jazz ensemble!
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Night of the Magi

The story of the Magi following the star from distant lands to Jerusalem and ultimately the Jesus child. Then the fun begins…
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Night of the God-Child

It takes, as its premise, the story of Mary’s encounter with the angel who announced that she had been chosen to mother the God-Child.
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More Than Wonderful

Stunningly beautiful from beginning to end, the music takes the singers and the audience on a compelling journey to express the inexpressible…
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Amazing Grace

From its low key opening to its dramatic end, this is a truly classic arrangement of an all-time favourite.
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One Cold Night

The surprising events of one cold night on a Bethlehem hillside are told with merry abandonment in this rollicking parody of the angelic visitation.
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Whom have I in heaven but you?

A worthwhile and hefty sing in spots with some involved rhythmic nuances that will require careful and musical management.
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Let it be Written SSA

A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies. The song is through-composed with a recurring chorus which binds the whole together.
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They call it Canada Piano & Vocal

Designed initially to be sung by youthful and changed voices (aged 10-14), this […]
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Prayin’ For You

Part country and part gospel, this story-tellin’ song uses vignettes from St. Paul’s story to build a context around personal prayer directed on behalf of others.
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Let it be written

A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies. The song is through-composed with a recurring chorus which binds the whole together.
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Silent Night (SATB Choir and Piano)

Like a delicate Christmas ornament slowly turning on its thread, this arrangement is evocative of all that is nostalgic about the season.
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It’s me, O Lord! (Low Voice Solo with SATB & Piano)

A favourite Spiritual dressed for a sassy moment in your choral concert. The […]
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Bless The Lord, O My Soul

This setting of the much-loved text adapted from Ps. 103 has been described as eloquent, beautiful and moving. Lots of unison writing makes for bold musical lines and shapes.
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Not Ashamed

This funky gospel song is a winner for young voices and is easy to teach. Based on familiar scripture, it has a lively beat and catches on easily.
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The Holly & the Ivy

The charm of this favourite carol from the English tradition is kept in view despite a unique treatment. In this arrangement the voice line is set in contrast to a rhythmic ostinato in the piano.
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We are Blessed

Set in modern choral anthem style, this song uses unison, two-part and four-part writing for a quick teach with few obstructions for the singers or accompaniment.
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Go Tell It

Featuring a low voice soloist with SATB backing, this arrangement captures the sheer joy of the carol in a fun to sing, swing bee-bop manner.
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The Sussex Carol (Vocal Solo + SATB Backing + Piano)

This lovely tune was collected in Sussex, England and catalogued by R. Vaughan Williams in 1904.
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His Eye is on the Sparrow (Women’s Choir)

A classic favourite set in gospel style for piano and two-part women’s choir. The arrangement takes advantage of the rich mid-range unisons of the SA choir.
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Cornerstone

Strong melodic shapes and bold piano writing give this text a rock solid foundation. The music features unison and two-part lines in the verses where the Scripture context is outlined.
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Silent Night (Vocal Solo + SATB Backing + Piano)

Like a delicate Christmas ornament slowly turning on its thread, this arrangement is evocative of all that is nostalgic about the season.
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Sing Noel!

Sing Noel! is a unique Christmas medley featuring a high-energy original carol right off the top which wraps itself around two other traditional carols.
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Gently, gently

An effective and compelling new carol for a cappella voices after the style of Samuel Barber.
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Sweet Little Jesus Boy

In this arrangement of the lovely Christmas-themed Sweet Little Jesus Boy, the music has been set in a slow swing style that is both moody and evocative.
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Always Good News

Very 'Gospel' in style and text. The song moves forward making use of repetition and sequence to extend the form, so its basic shape is easy to grasp for the singers.
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Lift Him Up!

An Easter-themed, gospel-styled arrangement of joyful spirit. Good use of repetition and symmetry make this song a straightforward teach.
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Near to the Heart

A warm and expressive reworking of a well-known gospel classic. This arrangement follows […]
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Healing Waters (SAA)

Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present.
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Healing Waters (SATB)

Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present.
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