SATB Choir

  • Not Ashamed

    This funky gospel song is a winner for young voices and is easy to teach. Based on familiar scripture, it has a lively beat and catches on easily.

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  • Sweet Little Jesus Boy

    In this arrangement of the lovely Christmas-themed Sweet Little Jesus Boy, the music has been set in a slow swing style that is both moody and evocative.

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  • It’s me, O Lord! (Low Voice Solo with SATB & Piano)

    A favourite Spiritual dressed for a sassy moment in your choral concert. The […]

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  • What is this Lovely Fragrance?

    This arrangement of the beautiful 17th C. French carol attempts to capture the transparency of its whimsical text.

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  • Swing Low

    This popular arrangement makes use of unison lines and contrasting part writing to create an uncomplicated sound-world for these wistful lyrics.

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  • Night of the God-Child

    It takes, as its premise, the story of Mary’s encounter with the angel who announced that she had been chosen to mother the God-Child.

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  • The Shepherd’s Psalm

    An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.

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  • Gently, gently

    An effective and compelling new carol for a cappella voices after the style of Samuel Barber.

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  • They call it Canada FULL SCORE

    Commissioned by Claude Watson School for the Arts (Grades 4-8) in Ontario in honour of Canada’s Sesquicentennial birthday as a nation, July 1, 2017. This work began with a poetry contest with the children of Claude Watson. The poems, limericks, Haiku and free-verse were vetted by the staff and then submitted to Len for gleaning and fashioning into a song to be sung as a finale for their annual Reflections Concert.

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  • They call it Canada Piano & Vocal

    Designed initially to be sung by youthful and changed voices (aged 10-14), this […]

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  • The Holly & the Ivy

    The charm of this favourite carol from the English tradition is kept in view despite a unique treatment. In this arrangement the voice line is set in contrast to a rhythmic ostinato in the piano.

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  • Prayin’ For You

    Part country and part gospel, this story-tellin’ song uses vignettes from St. Paul’s story to build a context around personal prayer directed on behalf of others.

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