Four descriptive movements for 10-piece brass ensemble based on the stunning vista of the Agawa Canyon north of Lake Superior as captured by artists of Canada’s ‘Group of Seven’ painters. Commissioned for the 2017 NABBA Championships by Rita Arendz and ‘A Little Wind Music’.
Very 'Gospel' in style and text. The song moves forward making use of repetition and sequence to extend the form, so its basic shape is easy to grasp for the singers.
This setting of the much-loved text adapted from Ps. 103 has been described as eloquent, beautiful and moving. Lots of unison writing makes for bold musical lines and shapes.
Strong melodic shapes and bold piano writing give this text a rock solid foundation. The music features unison and two-part lines in the verses where the Scripture context is outlined.
Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present.
Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present.
Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present.
A classic favourite set in gospel style for piano and two-part women’s choir. The arrangement takes advantage of the rich mid-range unisons of the SA choir.
The integrity and spirit of this hymn classic remain untouched even when the style is updated to pop/gospel. The mellow segues to each verse help ground the setting and the mostly unison vocals make this an easy teach. A fun sing for youth choir and groups looking for fresh takes.
