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Set in modern choral anthem style, this song uses unison, two-part and four-part writing for a quick teach with few obstructions for the singers or accompaniment. -
Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present. -
Strong melodic shapes and bold piano writing give this text a rock solid foundation. The music features unison and two-part lines in the verses where the Scripture context is outlined. -
A sensitive and effective treatment of this lovely old gospel favourite. Lots of unison and easy two-part writing in the verses make this setting accessible for most choirs. -
A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies. The song is through-composed with a recurring chorus which binds the whole together. -
This arrangement is perfect for singers who enjoy their low range, with a top belting note of C on the staff. -
This funky gospel song is a winner for young voices and is easy to teach. Based on familiar scripture, it has a lively beat and catches on easily. -
Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present. -
This arrangement uses rich jazz-oriented chording to create a warm, moody feel for that extra special moment in your Christmas program. -
A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies. The song is through-composed with a recurring chorus which binds the whole together. -
An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results. -
An effective setting which never oversteps its role in bringing simple truths alive. Lots of unison and straight forward part writing for an easy teach with effective results.
