Vocal

  • Prayin’ For You

    Part country and part gospel, this story-tellin’ song uses vignettes from St. Paul’s story to build a context around personal prayer directed on behalf of others.

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    Part country and part gospel, this story-tellin’ song uses vignettes from St. Paul’s story to build a context around personal prayer directed on behalf of others.
  • In the Beginning

    The cosmic theme of Genesis One is given a substantive treatment and evocative context in this major work for choir and ensemble.

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    The cosmic theme of Genesis One is given a substantive treatment and evocative context in this major work for choir and ensemble.
  • We are Blessed

    Set in modern choral anthem style, this song uses unison, two-part and four-part writing for a quick teach with few obstructions for the singers or accompaniment.

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    Set in modern choral anthem style, this song uses unison, two-part and four-part writing for a quick teach with few obstructions for the singers or accompaniment.
  • Let it be written

    A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies. The song is through-composed with a recurring chorus which binds the whole together.

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    A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies. The song is through-composed with a recurring chorus which binds the whole together.
  • More Than Wonderful

    Stunningly beautiful from beginning to end, the music takes the singers and the audience on a compelling journey to express the inexpressible…

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    Stunningly beautiful from beginning to end, the music takes the singers and the audience on a compelling journey to express the inexpressible...
  • Greensleeves

    This arrangement uses rich jazz-oriented chording to create a warm, moody feel for that extra special moment in your Christmas program.

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    This arrangement uses rich jazz-oriented chording to create a warm, moody feel for that extra special moment in your Christmas program.
  • Go Tell It

    Featuring a low voice soloist with SATB backing, this arrangement captures the sheer joy of the carol in a fun to sing, swing bee-bop manner.

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    Featuring a low voice soloist with SATB backing, this arrangement captures the sheer joy of the carol in a fun to sing, swing bee-bop manner.
  • The Sussex Carol (Vocal Solo + SATB Backing + Piano)

    This lovely tune was collected in Sussex, England and catalogued by R. Vaughan Williams in 1904.

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    This lovely tune was collected in Sussex, England and catalogued by R. Vaughan Williams in 1904.
  • Silent Night (Mid voice Solo + piano)

    Like a delicate Christmas ornament slowly turning on its thread, this arrangement is evocative of all that is nostalgic about the season.

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    Like a delicate Christmas ornament slowly turning on its thread, this arrangement is evocative of all that is nostalgic about the season.
  • His Eye is on the Sparrow (Women’s Choir)

    A classic favourite set in gospel style for piano and two-part women’s choir. The arrangement takes advantage of the rich mid-range unisons of the SA choir.

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    A classic favourite set in gospel style for piano and two-part women’s choir. The arrangement takes advantage of the rich mid-range unisons of the SA choir.
  • Cornerstone

    Strong melodic shapes and bold piano writing give this text a rock solid foundation.  The music features unison and two-part lines in the verses where the Scripture context is outlined.

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    Strong melodic shapes and bold piano writing give this text a rock solid foundation.  The music features unison and two-part lines in the verses where the Scripture context is outlined.
  • One Cold Night

    The surprising events of one cold night on a Bethlehem hillside are told with merry abandonment in this rollicking parody of the angelic visitation.

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    The surprising events of one cold night on a Bethlehem hillside are told with merry abandonment in this rollicking parody of the angelic visitation.
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