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Part country and part gospel, this story-tellin’ song uses vignettes from St. Paul’s story to build a context around personal prayer directed on behalf of others.
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The cosmic theme of Genesis One is given a substantive treatment and evocative context in this major work for choir and ensemble.
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Set in modern choral anthem style, this song uses unison, two-part and four-part writing for a quick teach with few obstructions for the singers or accompaniment.
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A bright gospel-flavoured song with enjoyable rhythms and colourful harmonies. The song is through-composed with a recurring chorus which binds the whole together.
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Stunningly beautiful from beginning to end, the music takes the singers and the audience on a compelling journey to express the inexpressible...
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This arrangement uses rich jazz-oriented chording to create a warm, moody feel for that extra special moment in your Christmas program.
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Featuring a low voice soloist with SATB backing, this arrangement captures the sheer joy of the carol in a fun to sing, swing bee-bop manner.
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This lovely tune was collected in Sussex, England and catalogued by R. Vaughan Williams in 1904.
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Like a delicate Christmas ornament slowly turning on its thread, this arrangement is evocative of all that is nostalgic about the season.
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A classic favourite set in gospel style for piano and two-part women’s choir. The arrangement takes advantage of the rich mid-range unisons of the SA choir.
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Strong melodic shapes and bold piano writing give this text a rock solid foundation. The music features unison and two-part lines in the verses where the Scripture context is outlined.
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The surprising events of one cold night on a Bethlehem hillside are told with merry abandonment in this rollicking parody of the angelic visitation.











