SATB Choir

  • Sweet Little Jesus Boy

    In this arrangement of the lovely Christmas-themed Sweet Little Jesus Boy, the music has been set in a slow swing style that is both moody and evocative.

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  • Not Ashamed

    This funky gospel song is a winner for young voices and is easy to teach. Based on familiar scripture, it has a lively beat and catches on easily.

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  • Always Good News

    Very '€˜Gospel'€™ in style and text. The song moves forward making use of repetition and sequence to extend the form, so its basic shape is easy to grasp for the singers.

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  • One Cold Night

    The surprising events of one cold night on a Bethlehem hillside are told with merry abandonment in this rollicking parody of the angelic visitation.

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  • In the garden

    A sensitive and effective treatment of this lovely old gospel favourite. Lots of unison and easy two-part writing in the verses make this setting accessible for most choirs.

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  • Night of the Angel

    The story of the shepherds encountering the angelic hosts on the hillsides of Bethlehem. Imagine the silence of the night being shattered by a 6-part vocal jazz ensemble!

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  • Cornerstone

    Strong melodic shapes and bold piano writing give this text a rock solid foundation.  The music features unison and two-part lines in the verses where the Scripture context is outlined.

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  • Lift Him Up!

    An Easter-themed, gospel-styled arrangement of joyful spirit. Good use of repetition and symmetry make this song a straightforward teach.

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  • Go Tell It

    Featuring a low voice soloist with SATB backing, this arrangement captures the sheer joy of the carol in a fun to sing, swing bee-bop manner.

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  • The Sussex Carol (Vocal Solo + SATB Backing + Piano)

    This lovely tune was collected in Sussex, England and catalogued by R. Vaughan Williams in 1904.

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  • Healing Waters (SATB)

    Timeless lyric and melody deserve to be cherished and remembered in the modern age. This setting was written by way of homage to Albert Orsborn’s classic verses and melody which are seldom encountered in the present.

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  • In the Beginning

    The cosmic theme of Genesis One is given a substantive treatment and evocative context in this major work for choir and ensemble.

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